We Love Master All Cg Songs
We Love Master Cg
We Love Master All Cgm
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Christgau's Consumer Guide

Two Pick Hits because both Van Halenand Rick James got raspberries last time out. Anyway, I'm afraid mytwo favorites are in for backlash, and while neither is a careeralbum, both deserve better. I mean, Patti's is her best in over adecade.

ALI & TAM'S AVEC L'ORCHESTRE MALO(Planisphere import)In whichtwo Kinshasa professors folkify and jazzify Zairean pop, thus defeatingsoukous's relentless professionalism--textures more acoustic, solosmore personal, rhythms more relaxed. Contemporary and traditional,catchy and sweet--tries to improve on modernity rather than escapefrom it.B PLUS

T-BONE BURNETT:The Talking Animals(Columbia)I hate to let thecat out of the bag, but this guy is pretentious. He's not dumb,not incapable, not even charmless (incredible shaggy dog story atthe close). And country change-of-pace aside, his parables and exhortationshave gotten more pointless with every record. Help him, Jesus.B MINUS

THE ROBERT CRAY BAND:Don't Be Afraid of the Dark(Mercury)Yeah,I could live without David Sanborn myself, but if you leave it atthat you're refusing to hear a major artist who bends blues traditionto his own artistic ends as surely as Jimi Hendrix or Jimmy Page,a suave cool motherfucker obsessed with the male sex roles bluesdefined for rock and roll. No shit--his determination to bring histradition into the pop present equals his determination to escapethe cultural residue and/or primal urge that compels him to pitchwoo, talk murder, and make obscene phone calls. Because this life-projectcan never end, a continuing tension stretches and strengthens hismusic. The songs here aren't as consistently amazingas Strong Persuader's,but all that means is that Cray and his writers are mortal. Summingup is Bruce Bromberg's 'Night Patrol,' in which a laid-off streetstalker,tortured quote unquote by his bad habits quote unquote, joins thehomeless legions whose ways he knows so well.A MINUS

DIVINYLS:Temperamental(Chrysalis)This is the genderfucked Sweetthat Mike Chapman should have gotten out of Christina Amphlett lasttime, before Vic Maile and Girlschool beat them to it, but as withstraight Sweet, the tunes pound by a little too evenly to changethe world. 'Dirty Love' will never besmirch CHR, and unless shegets lucky with 'Hey Little Boy,' a genderfucked cover the world'sbeen waiting for since 1966, it could be three-strikes-she's-out fora dirt-eater who deserves better.B

D.J. JAZZY JEFF & THE FRESH PRINCE:He's the D.J., I'm the Rapper(Jive)From Fabian and Chubby Checker to Cosby and this crew, Philadelphiahas always produced too many unthreatening teen dreams--it's enoughto make you stop worrying and love Schoolly-D. Though I grant theFresh Prince's acting ability and find myself touched when he tellsthe crowd he's 17, he makes the mistake of coming on smug in a genrewhose staple is confidence. In life, maybe the wheedle is moresocially advanced than the demand; in art, it's a turnoff.B MINUS

We Love Master All Cg Songs

EPMD:Strictly Business(Fresh) Out of nowhere to the top of thecharts, these frosty freezers are one more proof of the supposedlysubliterate-to-subcriminal rap audience's exacting prerogatives--what'ssnapped up as freshest often is. The beats are disco hooks sampledfull effect, two or three to the track; the attack is traditionalist,formalist, minimalist. Rapping almost exclusively about rap, EDouble EE and Pee MD don't emote or pander or yuk it up. Keygen encore 5.0 2 firmware. In theirone sex boast, the skeezer gets the last word.A MINUS

FIREHOSE:If'n(SST)They sound more like a regular rock band andalso more like the Minutemen, which isn't a contradiction becausethe Minutemen were evolving into a regular rock band when D. Boondied--one that resembled this fluidly funky outfit a lot more thanthe weird and wimpy hippies of the debut. This time Ed Crawfordprovides enough garage hooks to get by, meaning Mike Watt doesn'tdisappear amid his mannerisms--I only wish his Central American mentionheld like his Richard Hell mention and his Michael Stipe tribute.B

FOOL PROOF:No Friction(Gramavision)'Jazzmen Play the Blues,'says the cover sticker. Such claims have excited me unreasonablyever since I witnessed Henry Threadgill and friends back Left-HandFrank lo these many year ago, and what could live up to that? Notthis, if only because no real bluesmam (as opposed to rocker) anchorsit. After progressing from Delta to New Orleans to bebop to lounge-organ,it settles into jazzmen's r&b, with Pheeroan akLaff staying inAl Jackson's pocket on 'Love and Happiness' but favoring a moreswinging groove. Ronnie Drayton and Bernie Worrell make some loungeact, and 'August Wilson's Urban Blue Blues' is what a young OrnetteColeman might have come up with if he'd tried to write a 'Now'sthe Time'--bent bebop, blues mostly by association.B PLUS

NANCI GRIFFITH:Little Love Affairs(MCA)For Griffith, the notionthat the past was better than the present isn't just a bias, it'sa worldview--consider 'I Knew Love' ('when it was more than just aword') or 'Love Wore a Halo Back Before the War' (WWII, she means).And with Tony Brown pushing her ever more firmly toward such marketablecliches as the raunchy growl and the pedal-steel whine, she's oneneotraditionalist with a future. If you can forgive 'I Knew Love'spurism, first side doesn't quit--the regrets of 'Anybody Can Be Somebody'sFool' and 'So Long Ago' are as permanent as they come. Second side'sgot John Stewart as Waylon Jennings and real country songs by theauteur.B PLUS

RICK JAMES:Wonderful(Reprise)Free at last from Mr. Gordy's plantation,James gives up that begged, borrowed, or stolen funk. 'Loosey'sRap' casts Roxanne Shante as skeezer and proud (kudos in the SpecialThanks list but not the credits to Big Daddy Kane and Marley Marl);'So Tight' is expert Larry Blackmon (ditto to 'Cameo for inspiration');James himself could have sired 'Judy' and 'Wonderful' and 'Love'sFire.' But he still can't resist ballads, a big mistake for a manwho spells l-u-v like c-u-m. Docked a notch for first peeping as 'thegirls go down,' then suggesting that a devil lesbian get straightby dropping to her knees and fishing his dick out.C PLUS

RAYMOND KANE:Master of the Slack Key Guitar(Rounder)Never havingheard a Gabby Pahinui record, I'm obliged to enjoy this relaxed,talky music-doc soundtrack as exotica. Couldn't tell you whetherKane's strange gutturals reflect his tradition or his emphysema.Can tell you that his story of how Hawaiian guitar came over withthe vaqueros and then got changed utterly is a trip as both musicand musicology. B PLUS

KINGDOM COME(Polydor)Lenny Wolf's brainchildren share a sellingpoint with the guys they rip so shamelessly: shamelessness. I'mnot curious enough to ascertain which Zep songs provide which hookriffs, but that doesn't mean I can't lay back and enjoy a musicalforce as musical form--a humongous abstraction perfect for flatteningthe medulla oblongata.B

JIMMY PAGE:Outrider(Geffen)With the heretofore useless John Milesdoing Plant (you barely notice when the man himself sneaks in fora song) and the heretofore unproven Jason Bon